Product Code Database
Olga Edwardes (born Olga Florence Solomon; 20 May 1915 – 23 July 2008) South Africa, Church of the Province of South Africa, Parish Registers, 1801-2004, database with images, FamilySearch, 20 May 1915, South Africa > Transvaal > Johannesburg, Parktown, St George > Baptisms 1911-1931 > image 25 of 141; William Cullen Library, Wits University, Johannesburg. was an English actress.
Her mother was Jean Cox, a South African actress who was a divorcée when she married Solomon in 1914 in Cape Town. South Africa, Cape Province, Western Cape Archives Records, 1792-1992, database with images, FamilySearch, 11 Aug 1914, Cape Town > Marriage records 1913-1917 vol 1/3/9/1/7-1/3/9/12 > image 261 of 1198; Western Cape Archives, Cape Town. Olga had a brother named Paul. South Africa – a quarterly journal – 1918 October – December
Her mother married again in Cape Town in 1922 to Hugh Edwards, a company secretary, South Africa, Cape Province, Western Cape Archives Records, 1792-1992, database with images, FamilySearch, Hugh Edwards and Jean Elizabeth Emily Hamilton Solomon, 1 Jul 1922; citing Marriage, Cape Town, Union of South Africa, Western Cape Archives, Cape Town; FHL microfilm who became Olga and Paul's stepfather.
Olga married Pilot Officer Anthony Max Baerlein in 1941; he was killed in action later the same year.
In 1946, she married her second husband Nicholas Davenport. an economist and journalist who was more than twenty years her senior. He died in 1979; she died in Elstree, England, in 2008.
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| She played the unnamed wife of Scrooge's nephew Fred |
| She was a principal character |
| | style="width:12em;font-style:italic;" Twelfth Night | Olivia |
| Hero | |
| Bianca | |
| Julia Melville | |
| Queen Isabella | |
| Miranda | |
| Jessica |
| Full Moon | |||
| A revue for television, written by Archie Harradine | |||
| Writer | Archie Harradine | ||
| Music composed by | Herbert Murrill | ||
| Producer | Eric Crozier | ||
| Actor | Guy Glover | ||
| Actor | Rudolf Brandt | ||
| Actress | Olga Edwardes | ||
| Actor | Archie Harradine | ||
| Pianist | Margaret Good | ||
| Pianist | Herbert Murrill | ||
| The Sacred Cat | |||
| A comedy by F. Sladen-Smith. | |||
| Author | F. Sladen-Smith | ||
| Starring | The Lanchester Marionettes | ||
| Gallows Glorious | |||
| Adaptation for television of the play by Ronald Gow. The action takes place in America in 1859 and moves between John Brown's house in the Adirondack mountains in the North, and the Maryland–Virginia border in the South. | |||
| Writer | Ronald Gow | ||
| Production | Jan Bussell | ||
| John Brown | Neil Porter | ||
| Rest of cast listed alphabetically: | |||
| Hay Fever | |||
| A light comedy in three acts by Noël Coward The action of the play takes place in the hall of the Blisses' house at Cookham, in June. | |||
| Writer | Noël Coward | ||
| Settings | Malcolm Baker-Smith | ||
| Production | Reginald Smith | ||
| Judith Bliss | Kitty De Legh | ||
| David Bliss | Maurice Denham | ||
| Sorel Bliss | Olga Edwardes | ||
| Simon Bliss | Guy Verney | ||
| Myra Arundel | Fabia Drake | ||
| Richard Greatham | Noël Howlett | ||
| Jackie Coryton | Doreen Oscar | ||
| Sandy Tyrrell | John Byron | ||
| Clara | Veronica Brady | ||
| Dance Without Music | |||
| A play based upon episodes in the life of Jack Sheppard, by Mervyn Mills. | |||
| Writer | Mervyn Mills | ||
| Settings | Malcolm Baker-Smith | ||
| Production | Denis Johnston | ||
| Jack Sheppard | Guy Glover | ||
| Jonathan Wild | Frank Birch | ||
| Edgeworth Bess | Kathleen Edwardes | ||
| Blueskin Blake | George Merritt | ||
| Joseph Hind | Ben Field | ||
| Mrs Wallop | Margaret Yarde | ||
| Polly Maggot | Olga Edwardes | ||
| Daniel Defoe | Ian Dawson | ||
| Jenkin | Basil Cunard | ||
| Lumley Davis | Stuart Latham | ||
| John Gay | James Hayter | ||
| Abraham Mendez | Don Gemmell | ||
| Austin | Adrian Byrne | ||
| Ballad Singer | Elton Hayes | ||
| Sir James Thornhill | Arthur Owen | ||
| Ben Hind | Russell Howarth | ||
| Constable | Kenneth Barton | ||
| The Young Idea | |||
| A comedy in three acts by Noël Coward The scene is laid in George Brent's house in England, and Jennifer Brent's villa in Italy | |||
| Writer | Noël Coward | ||
| Settings | Malcolm Baker-Smith | ||
| Production | Reginald Smith | ||
| George Brent | Cecil Winter | ||
| Gerda | Olga Edwardes | ||
| Sholto | Kenneth Morgan | ||
| Jennifer | Kitty De Legh | ||
| Cicely | Dorothy Black | ||
| Priscilla Hartleberry | Phoebe Kershaw | ||
| Claude Eccles | William Hutchison | ||
| Julia Cragworthy | Lena Maitland | ||
| Eustace Dabbit | Alban Blakelock | ||
| Sibyl Blaith | Audrey Cameron | ||
| Rodney Masters | Thorley Walters | ||
| Huddle | Hugh Casson | ||
| Hiram J. Walkin | Morris Harvey | ||
| Condemned to be Shot | |||
| A play in the first person by R. E. J. Brooke | |||
| Writer | R. E. J. Brooke | ||
| Production | Jan Bussell | ||
| Officer | Reginald Brooke | ||
| Maria Walska | Zoe Davies | ||
| Sonya Pavlovna | Olga Edwardes | ||
| Volberg | Wilfred Fletcher | ||
| Voice of Gregor Walievski | Neil Porter | ||
| Vasiloff | Hilary Pritchard | ||
| Borgoff | Ben Soutten | ||
| Two Gentlemen of Soho | ||
| Writer | A. P. Herbert | |
| Production | Stephen Thomas | |
| Plum | Robert Atkins | |
| Sneak | Harold Scott | |
| Hubert | Charles Peters | |
| Laetitia | Nadine March | |
| Topsy | Olga Edwardes | |
| Waiter | Roy Graham | |
| Duchess of Canterbury | Barbara Everest | |
| Lovers' Meeting | |||
| A miscellany compiled and edited by Barbara Nixon. | |||
| Writer / Producer | Desmond Davis | ||
| Music arranger / conductor | William Cox-Ife | ||
| Dances | Donald Journeaux | ||
| Settings | James Bould | ||
| Compiled and edited | Barbara Nixon | ||
| Performers | |||
| The Middle Watch | |||
| A Romance of the Navy by Ian Hay and Stephen King-Hall The scene is laid in the Captain's lobby and day cabin on board , a cruiser on the China Station | |||
| Writer | Ian Hay Stephen King-Hall | ||
| Producer | Ian Atkins | ||
| Marine Ogg | Johnnie Schofield | ||
| Ah Fong | Milo Sperber | ||
| Captain Randall R.M. | Christopher Quest | ||
| Fay Eaton | Olga Edwardes | ||
| A guest | Carol Peters | ||
| Flag Lieutenant R.N. | Philip Howard | ||
| Nancy Hewitt | Honor Shepherd | ||
| Commander Baddeley R.N. | Richard Hurndall | ||
| Charlotte Hopkinson | Rita Daniel | ||
| Admiral Sir Hercules Hewitt | H. G. Stoker | ||
| Mary Carlton | Miki Hood | ||
| Lady Hewitt | Ruth Taylor | ||
| An able seaman | Gerald Campion | ||
| Captain Maitland R.N. | Lawrence O'Madden | ||
| Corporal Duckett R.M. | Frank Forsythe | ||
| I Killed the Count | |||
A comedy thriller by Alec Coppel
| |||
| Writer | Alec Coppel | ||
| Producer | Ian Atkins | ||
| Polly | Freda Bamford | ||
| Count Victor Mattoni | Philip Leaver | ||
| Detective Sergeant Raines | Frederick Bradshaw | ||
| Detective Inspector Davidson | Frank Foster | ||
| Martin | Erik Chitty | ||
| P.C. Clifton | Diarmuid Kelly | ||
| Louise Rogers | Olga Edwardes | ||
| Renee la Lune | Mildred Shay | ||
| Samuel Diamond | Val Norton | ||
| Johnson | Howard Douglas | ||
| Mullet | Arthur Goulett | ||
| Bernard K Froy | Guy Kingsley Poynter | ||
| Viscount Sorrington | Bruce Belfrage | ||
| At the Villa Rose | |||
| The detective story by A. E. W. Mason Adapted as a television play by Gilbert Thomas. | |||
| Author | A. E. W. Mason | ||
| Adapter | Gilbert Thomas | ||
| Producer | Ian Atkins | ||
| Settings | James Bould | ||
| Julius Ricardo | Erik Chitty | ||
| Celia Harland | Olga Edwardes | ||
| Harry Wethermill | John Arnatt | ||
| Madame Dauvray | Selma Vaz Dias | ||
| Adele Rossignol | Ambrosine Phillpotts | ||
| M. Hanaud | Antony Holle | ||
| Servettaz | Robert Cawdron | ||
| Sgt. Perrichet | David Ward | ||
| M. Besnard | George de Warfaz | ||
| Helene Vauquier | Nicolette Bernard | ||
| Marthe Gobin | Helen Misener | ||
| M. Lemerre | Percy Walsh | ||
| Other parts played by | |||
| October Horizon | |||
| A play by Lydia Ragosin | |||
| Author | Lydia Ragosin | ||
| Adapter | Gilbert Thomas | ||
| Settings | James Bould | ||
| Producer | Kenneth M. Buckley | ||
| Edward Tarrant | Jack Livesey | ||
| Laura, his wife | Mary Hinton | ||
| Charles | Ian Lubbock | ||
| Caroline | Ursula Howells | ||
| Joel | Cavan Malone | ||
| Louis Brahms | Fritz Krenn | ||
| Sarah French | Olga Edwardes | ||
| Doctor | Arthur Lucas | ||
| A Scandal in Bohemia | |||
| Adapted by C. A. Lejeune. | |||
| Author | Arthur Conan Doyle | ||
| Adapted by | C. A. Lejeune | ||
| Settings | James Bould | ||
| Producer | Ian Atkins | ||
| Sherlock Holmes | Alan Wheatley | ||
| Dr Watson | Raymond Francis | ||
| The King of Bohemia | Alan Judd | ||
| Irene Adler | Olga Edwardes | ||
| Godfrey Norton | John Stevens | ||
| Mrs Hudson | Iris Vandeleur | ||
| Housekeeper | Betty Turner | ||
| Old cabby | Michael Raghan | ||
| Young cabby | Donald Kemp | ||
| Ostlers | Meadows White John Fitzgerald Vernon Gibb | ||
| Others taking part | |||
| Au Clair de la Lune | |||
| Au Clair de la Lune A play by Antonia Ridge France 1650 This is a story of two boys and a song. The first boy is Louis XIV, King of France; he is eleven years old, and must live a wearisome existence in great palaces under strict supervision from such eminent adults as his cousin, the great Mademoiselle, and his leading statesman, my Lord the Cardinal. Louis has learned painfully that little kings are not as other little boys. But our other boy, although older, is hardly less unhappy; he's Jean-Baptiste Lulli, one day to be a famous musician, but now an Italian orphan who earns a living by playing his violin for a travelling players' show. And this is also the story of a magnificent banquet which Mademoiselle gives for her young royal relative; for by a series of happy accidents the two boys meet at the banquet, and the occasion is marked by the first performance of one of the loveliest and most famous songs ever written. | |||
| Author | Antonia Ridge | ||
| Designer | Richard Henry | ||
| Producer | Campbell Logan | ||
| Louis | Michael Caridia | ||
| Jean-Baptiste Lulli | John Cairney | ||
| Hercule Cocarel | Raymond Rollett | ||
| Françoise, his daughter | Perlita Neilson | ||
| Mademoiselle de Montpensier | Olga Edwardes | ||
| The Maestro | Anthony Pini | ||
| Master Bounaire | Charles Heslop | ||
| Frimousset, a clown | Ivan Staff | ||
| A footman | Charles Maunsell | ||
| A kitchen lad | Anthony Marriott | ||
| Cardinal Mazarin | Keith Pyott | ||
| First aristocrat | Sylvia Willoughby | ||
| Second aristocrat | Philip Howard | ||
| Family Business | |||
| The third in a cycle of four plays entitled "The Makepeace Story" by Frank and Vincent Tilsley. The action takes place in and around Shawcross, Lancashire, and in France, between the years 1914-1920. | |||
| Writer | Frank Tilsley Vincent Tilsley | ||
| Designer | Stephen Bundy | ||
| Producer | Tony Richardson | ||
| Colonel Harry Makepeace | Charles Carson | ||
| Mrs Dolly Makepeace | Rachel Kempson | ||
| Sir Timothy Baines | D. A. Clarke-Smith | ||
| Christine | Margherita Parry | ||
| Geoffrey Kenyon | Clive Revill | ||
| Oswald Makepeace | Rodney Diak | ||
| Margery Baines | Helena Hughes | ||
| Peter Makepeace | Ian Bannen | ||
| Sichiro | Tom Tan | ||
| Mill girl | Rosemary Davis | ||
| Maggie | Jocelyn Page | ||
| Military recruit | |||
| Sergeant at Recruiting Office | Reginald Hearne | ||
| Doctor | Owen Berry | ||
| Bill Holbrooke | Anthony Doonan | ||
| Tyson | George A. Cooper | ||
| Sergeant in shell crater | Peter Duguid | ||
| French girl | Jacqueline D'Orsay | ||
| People at party | |||
| Jackson | Nigel Davenport | ||
| Waiter | Jeremy Geidt | ||
| Vera | Olga Edwardes | ||
| Landlord of Pack Horse Inn | Charles Hersee | ||
| Mill operative | Howell Davies Alan Townsend James Wellman | ||
| Bailiff's clerk | Lane Meddick | ||
| Other parts played by | |||
Olga Davenport continued the social activity of salon gathering which had been part of history for more than 350 years. "She was, as a young woman, an astounding beauty. She was also an impressive creative force. It is a heady combination. Men chucked caution to the wind." There is a bust of Olga by the sculptor F. E. McWilliam; two portrait drawings of her in her art collection by Theyre LeeElliott, and another gouache drawing of her dancing also by LeeElliott, with a verse by the artist on the reverse dedicated to her. His was not the only verse inspired by Olga's muse: another was from A. P. Herbert on the train to and back from Frinton-on-Sea.
She had been trained in painting, and returned to that art form following her acting career. In fact when she entered into the theatre, between performances she studied at the Westminster School of Art with Mark Gertler and through him and his wife, met Matthew Smith and Ivon Hitchens. In 1956, following a career as an actor with mostly minor roles in films, she returned to studying fine art and painting at the Chelsea Polytechnic; at the Royal College of Art; and at Peter Lanyon's school in St Ives, Cornwall. Davenport was not merely an accomplished artist, or a collector; but her deep friendships with British artists from the 1950s onwards placed Davenport as a key and perhaps surprisingly influential figure in the British art scene of the time. In St Ives, Davenport was to meet and befriend some of the greatest British artists of the 20th century and during her life she acquired important paintings for her own collection, including works by Patrick Heron, Roger Hilton, Terry Frost, and William Scott. She spent hours at Eagle's Nest, and Elm Tree Cottage. She sat on the board of the Bear Lane Gallery and formed relationships with influential people such as Clement Greenberg and Pauline Vogelpoel. She had a studio in the south of France.
She exhibited with the London Group and with the Women's International Art Club. She had shown in a number of group exhibitions including an Arts Council tour, at the Leicester Galleries, at the Whitechapel, the , the Drian Gallery, Drian Galleries Galerie Creuse, Paris, Athens School of Fine Arts, Women in the Arts Today at the Northampton Museum and Art Gallery, the Bear Lane Gallery in Oxford, Grabowski Gallery, artist-info Grabowski Gallery and at the Demarco Gallery.
She had two one-person shows at the Piccadilly Gallery in London's Cork Street in 1969, and in 1976; Bridgeman Olga Davenport and in 1978 she had a solo show of oils at the Oxford Gallery.
Her later work was mainly concerned with the depiction of landscape, and is recognised for the use of gentle, yet dynamic colours which reduce forms to abstracted shapes. She used broad, fluid brushstrokes of colour to capture the outlines of natural environments. The painted landscapes embody a delicate compromise between the wholly self-involved abstraction of modernist formalism and a fascination with the experience and representation of the natural world. Her works are in the permanent collections of the Nuffield Foundation, St Anne's College, Oxford, University of Warwick, Department of the Environment, and in private collections in England, Switzerland, South Africa, Belgium and the United States of America.
After her death, her art collection auctioned around £550,000 ().
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